Sharp Stone was a presentation of Building Bridges Art Foundation and Cafe Mode at Bergamot Station Art Center in Santa Monica, CA on March 19, 2014. The gallery was presenting works on paper by artist Franco Marrocco at the time. Kio Griffith brought in two electronic music masters, Carl Stone and Elliot Sharp. Both performed…
Month: September 2018
#Intervista con Alessandro Fedrigo (Settembre 2018) su #neuguitars #blog
Intervista con Alessandro Fedrigo (Settembre 2018) http://www.alessandrofedrigo.com/ http://www.nusica.org/web/label/13-secondo-solitario/ Ciao Alessandro, benvenuto sul blog Neuguitars, nella presentazione del tuo ultimo disco “Secondo Solitario” hai segnalato la natura più “accompagnatrice” del basso, ma questo tuo ultimo lavoro è un progetto solista, il seguito ideale di “Solitario” del 2011. Ormai il tuo rapporto discografico con nusica.org mi sembra…
#Interview with Alessandro Fedrigo (September 2018) on #neuguitars #blog
Interview with Alessandro Fedrigo (September 2018) http://www.alessandrofedrigo.com/ http://www.nusica.org/web/label/13-secondo-solitario/ Hello Alessandro, welcome to the blog Neuguitars, in the presentation of your latest album “Second Solitary” you have reported the most “accompanying” nature of the bass, but this last work is a solo project, the ideal follow-up of “Solitario” made in 2011. Now your record with nusica.org…
Elena Casoli electric guitar – Maurizio Pisati – ELETTRICO – Biennale Venezia 2009 on #neuguitars #blog
Maurizio Pisati – ELETTRICO – Chitarra elettrica Elena Càsoli, 3 ottobre 2009, Teatro alle Tese – BiennaleVenezia
#Recensione di Secondo Solitario di Alessandro Fedrigo, nusica.org, 2018 su #neuguitars #blog
Recensione di Secondo Solitario di Alessandro Fedrigo, nusica.org, 2018 http://www.alessandrofedrigo.com/index.html http://www.nusica.org/web/label/13-secondo-solitario/ Dice bene Alessandro Fedrigo, con qualche rara eccezione il basso è quasi sempre stato impiegato come strumento di accompagnamento, diventando la spina dorsale di qualunque gruppo rock e jazz. Un riferimento ritmico e armonico indispensabile nell’economia musicale. Qualche rara eccezione con questo secondo lavoro…
#Review of Secondo Solitario by Alessandro Fedrigo, nusica.org, 2018 on #neuguitars #blog
Review of Secondo Solitario by Alessandro Fedrigo, nusica.org, 2018 http://www.alessandrofedrigo.com/index.html http://www.nusica.org/web/label/13-secondo-solitario/ Alessandro Fedrigo says it right. Apart from some rare exceptions the bass has almost always been used as an accompaniment, becoming the backbone of any rock and jazz group. A rhythmic and harmonic reference indispensable in their musical economy. Some rare exceptions like this…
#Recensione di Primes di Simone Beneventi e Flavio Virzì, Stradivarius, 2015 su #neuguitars #blog
Recensione di Primes di Simone Beneventi e Flavio Virzì, Stradivarius,2015 Chi segue il mio blog sa che da tempo una delle domande che più facilmente rivolgo a chi suona musica contemporanea è se la frase famosa di … è ancora valida: per comporre musica per chitarra è davvero necessario essere chitarristi? Spesso volentieri ho pensato…
Marc Ribot, Bill Frisell, Nels Cline and Shahzad Ismaily. 6-11-13 on #neuguitars #blog
Bill Frisell, Marc Ribot, Nels Cline and Shahzad Ismaily play a show together at Le Poisson Rouge in New York City on June 11.
#Review of Primes by Simone Beneventi and Flavio Virzì, Stradivarius 2015 on #neuguitars #blog
Review of Primes by Simone Beneventi and Flavio Virzì, Stradivarius 2015 Those who follow my blog know that one of my favouriet questions that I most like to appeal to those who play contemporary music is about the famous phrase … “is still valid: to compose music for guitar is really necessary to be guitarists?”…
Henry Kaiser, Michael Manring, Scott Amendola @ Duende 6.6.14 on #neuguitars #blog
Henry Kaiser, Michael Manring and Scott Amendola exploring the ECM catalog (with some other bits thrown in), including mercurial works by Terje Rypdal and John Abercrombie. A rare, one-off occasion.
#Interview with Thomas Athanaselos (September 2018) on #neuguitars #blog
Interview with Thomas Athanaselos (September 2018) https://www.athanaselos.com/ When did you start playing the guitar and why? I started playing the classical guitar at the age of 11. My influence was a teacher I had at school who sang and played simple pieces on the instrument. Without second thoughts I told my parents that I wanted…
Joel Gilardini Live Ambient NUDE Guitars @ EXIL, Zurich – Montags 719 on #neuguitars #blog
Montags 719 aka Live AMbient Guitars Nr.222 Extract from the live-guitar-ambient-sets played @ Exil Club, opening act for Nik Bärtsch’s RONIN; Zürich/CH, 10th September 2018. J.Gilardini: baritone NUDE Guitars, dronin, electronics and loops http://www.exil.cl http://www.montags.com http://www.nikbaertsch.com http://www.joelgilardini.wordpress.com
Robert Fripp and the League of Crafty Guitarists on VH-1 New Visions on #neuguitars #blog
00:00 Bicycling to Afghanistan 03:12 Spasm for Juanita 06:25 Close Enough for Jazz 07:27 Leap of Faith 08:38 Darts 10:43 Calliope Lineup includes : Robert Fripp, Martin Schwutke, Hideyo Moriya, Arch Jones, Victor McSurely, Curt Golden Debra Kahan, Ralph Gorga, Trey Gunn, Tony Geballe,Adam Lieb, Andrew Essex, Jon Diaz, Pietro Russino, Patrick White, John Novak,…
