Gran Sasso by Matteo Liberatore, BandCamp, 2020 on #neuguitars #blog

Dear friends Covid-19 is dangerously impacting the social-economic category of musicians. No concerts, poor political and social consideration, uncertain earnings. As a consequence, an ever-growing number of musicians, especially those from the experimental area, are trying to promote their music on BandCamp in digital format only. It is increasingly difficult for me to follow and…

La musica cameristica per chitarra della compositrice Sofija Gubajdulina: GUBAIDULINA, S.: Guitar Works (Complete) (Tanenbaum) su #neuguitars #blog

https://www.naxos.com/catalogue/item.asp?item_code=8.573379 La maggior parte delle opere di Sofija Gubajdulina è costituita da musica cameristica strumentale. Un tale interesse per i generi da camera è facilmente spiegabile, date le grande possibilità di esecuzione che esse offrono anche con un numero esiguo di musicisti, e non va dimenticato che per Gubajdulina è importante il suono reale della…

The chamber music for guitar of the composer Sofija Gubajdulina: GUBAIDULINA, S .: Guitar Works (Complete) (Tanenbaum) on #neuguitars #blog

https://www.naxos.com/catalogue/item.asp?item_code=8.573379 Most of Sofija Gubajdulina’s works are instrumental chamber music. Such an interest in chamber genres is easily explained, given the great possibilities of performance that they offer even with a small number of musicians, and it should not be forgotten how much important is for Gubajdulina the real sound of the composition. But not…

Il processo virtuoso di Markus Reuter, Truce, MoonJune Records su #neuguitars #blog

https://markus-reuter-moonjune.bandcamp.com/album/trucehttps://markus-reuter-moonjune.bandcamp.com/album/truce Il nuovo disco di Markus Reuter, Truce, uscito nel 2020 per la benemerita MoonJune Records, mi ha stimolato alcune riflessioni sul ruolo del virtuoso nell’ambito della musica popular e sulla struttura musicale adottata da chi continua a rinnovare e innervare quel ramo della musica rock noto col nome di “Progressive”. Che Reuter e i…

Trey Gunn and Markus Reuter (Live at SeaProg 2019) on #neuguitars #blog

“Trey Gunn (King Crimson) and Markus Reuter (Stick Men) performed a thematic improvisation with live looping and electronic treatments. You’ll hear many layers of sound and some pre-composed motifs being traded and shared by each player. It was a surreal experience to hear these performers in person. I hope you enjoy the show!” – Anthony…

Markus Reuter & Tim Motzer – Space is the Place- Live at Studio A, Philadelphia, PA, USA, October 6 2013 on #neuguitars #blog

Live at Studio A, Philadelphia, PA, USA, October 6 2013 (Download album available here: https://iapetus.bandcamp.com/album/sp…) The 16th edition of 1k Sessions features Dejha Ti’s handmade typographical set design ‘Space is the Place’—invoking Sun Ra’s famous mantra. The phrase is recontextualized for spacious music in a vast space. Dejha Ti doubles as the film director, outfitting…

Teho Teardo’s “Le retour à la raison” – The Ensemble of 40 guitar/bass players February 6, 2015 @ Cinema Massimo, Torino (Italy) on #neuguitars #blog

  Teho Teardo’s “Le retour à la raison.- Musique pour trois film de Man Ray”, February 6, 2015 @ Cinema Massimo, Torino (Italy). featuring: – Teho Teardo – guitar, electronics, ocarina, percussions, voice – Elena de Stabile – violino – Stefano Azzolina – viola – Il Bue Marco Schiavo – bell with the ensemble of…

Francesco Palmieri #playlist video on #neuguitars #blog

Luciano Berio – Sequenza XI (1988) for guitar Marco Momi – Quattro Nudi (2014/2018) Elliott Carter – Shard (1997) Simon Steen-Andersen: in-side-out-side-in… (2001) Simon Steen-Andersen: Beloved Brother (two movements from J.S. Bach’s Capriccio in Bb) http://www.francescopalmieri.eu/ Born in 1996, Francesco Palmieri is an Italian classical and electric guitarist. His artistic practice ranges from classical authors…

Quando l’ambient diventa un’oscurità positiva: “The Wharmerall” di Silvia Cignoli su #neuguitars #blog

Qualche tempo fa avevo pubblicato un articolo sulla raccolta “Ambient 4: Isolationism”. Parlando di Isolazionismo, avevo scritto ”L’Isolazionismo sembra realizzare le perfette colonne sonore per film e racconti sulla distruzione del mondo o sull’annientamento di massa, diagnosi in risposta alla sovrappopolazione del pianeta. Il paesaggio sonoro vuoto, inoltre, sembra intimamente collegarsi con un forte senso…