Covid-19 is dangerously impacting the social-economic category of musicians. No concerts, poor political and social consideration, uncertain earnings. As a consequence, an ever-growing number of musicians, especially those from the experimental area, are trying to promote their music on BandCamp in digital format only. It is increasingly difficult for me to follow and review this incredible flow of music. I therefore decided to open this section on my blog Neuguitars where I propose music in digital format that I consider particularly interesting and worthy of attention. I hope you like it. Let’s support musicians. They need it.
Here Comes Success by BAND OF SUSANS, Replica Records, 1995 on #neuguitars #blog
▶︎ Here Comes Success | BAND OF SUSANS | Replica Records (bandcamp.com)
Band of Susans was an American alternative rock band formed in New York City in 1986 and active until 1996. It originally consisted of Robert Poss (guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals). The band would undergo several permutations over the years, usually involving three guitarists. Poss, Stenger, and Spitzer were the band’s core members throughout its duration. They originated in the New York noise rock scene, but due to their layered guitar sound were sometimes seen as the American counterparts to the UK shoegazing bands and also drew influence from modern experimental composers Rhys Chatham and Glenn Branca.
Here Comes Success is the fifth and final studio album by Band of Susans, released on February 28, 1995, by Blast First and Restless Records. Andrew Earles included the album in his book Gimme Indie Rock: 500 Essential Underground Rock Albums 1981–1996 alongside The Word and the Flesh.