Guitar Studies I​-​III by Zimoun, Room40, 2022 on #neuguitars #blog #Zimoun

Zimoun lives and works in Bern, Switzerland. His work has been presented internationally, recent displays of his work include exhibitions at the Museum Haus Konstruktiv Zurich; Museum of Contemporary Art MAC Santiago de Chile; Nam June Paik Art Museum Seoul; Kuandu Museum Taipei; Art Museum Reina Sofia Madrid; Ringling Museum of Art Florida; Mumbai City Museum; National Art Museum Beijing; LAC Museum Lugano; Seoul Museum of Art; Museum MIS São Paulo; Muxin Art Museum Wuzhen; Kunsthalle Bern; Taipei Fine Arts Museum; Le Centquatre Paris; Museum of Contemporary Art Busan; Museum of Fine Arts MBAL; Kunstmuseum Bern; Blackburn Museum; Museum Collection Lambert Avignon; among others.


Guitar Studies I​-​III by Zimoun, Room40, 2022 on #neuguitars #blog #Zimoun

▶︎ Guitar Studies I-III | Zimoun | Room40 (

From Zimoun
With the Guitar Studies series I’ve dealt solely with noises and sounds produced by guitars.

Partly I played the guitars by hand in a more conventional way, but more often I prepared them, or activated them by using small DC motors. I used various microphones for the recordings, as well as the loose contact of a pickup and many different amps; from a small toy amp that was partially defective to a beautiful Magnatone amp with analogue tremolo from the sixties and an old Fender Amp I bought together with my first guitar when I was 10 years old.

I also played recorded sounds back in different environments, for example inside a cardboard tube or in different rooms with various sizes, and then recorded them again. This way I added natural resonate and spatiality to the sounds. I also created a distorted sounds by sending the signal of the guitar to a naked speaker membrane lying on the table, and then put some sand on the membrane itself. The friction between the membrane and the sand then created various forms of distortion. I was trying to test various processes of iteration to discover how transformed the guitar might become.

I did not work with loops in any of the compositions. For…  more


released May 6, 2022

Written and composed by Zimoun
Mixed by Björn Meyer and Zimoun
Mastered by Lawrence English at Negative Space.