La musica contemporanea, termine ambiguo e controverso impiegato per definire la musica di ricerca di derivazione colta, non ha mai conosciuto dei periodi facili, spesso continuando a vivere una situazione di nicchia, se non di […]
Category: Arnold Schoenberg
Arnold Schoenberg in Soviet Russia: Serenade Op. 24 / Kammermusik No 1 / Tone Ways No. 3 Мелодия – CM-03877 on #neuguitars #blog #ArnoldSchoenberg
Contemporary music, an ambiguous and controversial term used to define research music of cultured derivation, has never known easy periods, often continuing to live in a niche, if not segregated situation. Even today it is […]
La Schrammelmusik e Arnold Schoenberg, Serenade op.24 su #neuguitars #blog #ArnoldSchoenberg
La Schrammelmusik e Arnold Schoenberg, Serenade op.24 su #neuguitars #blog Schönberg* – Schrammelbrüder* – Schrammelbrüder* – Schönberg und die Schrammelbrüder Label: Col Legno – WWE 12CD 31899 Country: Germany Released: 2007 Cd Tracklist 1 Marsch, Aus: Serenade Op. 24 Composed By – […]
Schrammelmusik and Arnold Schoenberg, Serenade op.24 on #neuguitars #blog #ArnoldSchoenberg
Schrammelmusik and Arnold Schoenberg, Serenade op.24 on #neuguitars #blog Schönberg* – Schrammelbrüder* – Schrammelbrüder* – Schönberg und die Schrammelbrüder Label: Col Legno – WWE 12CD 31899 Country: Germany Released: 2007 Cd Tracklist 1 Marsch, Aus: Serenade Op. 24 Composed By – Arnold […]
Schonberg: Serenade op.24 – Boulez – Rai Napoli (1958) on #neuguitars #blog #ArnoldSchoenberg #PierreBoulez
Teodoro Rovetta, baritono – Pierre Boulez, direttore – Orchestra Alessandro Scarlatti della Rai di Napoli (09.06.58)
LCCE Performs Schoenberg: Serenade for Baritone and Seven Players, Op. 24 on #neuguitars #blog #ArnoldSchoenberg
Left Coast Chamber Ensemble performs Arnold Schoenberg: Serenade for Baritone and Seven Players, Op. 24 (2018). Musicians (left to right): Anna Presler, violin; Phyllis Kamrin, viola; Leighton Fong, cello; Michael Goldberg, guitar; Dana Rath, mandolin; […]
Arnold Schoenberg, la Serenade op. 24, Hans Rosbaud e lo Donaueschinger Musiktage Festival nel 1924 e nel 1958 su #neuguitars #blog #ArnoldSchoenberg
Arnold Schoenberg, la Serenade op. 24, Hans Rosbaud e lo Donaueschinger Musiktage Festival nel 1924 e nel 1958 su #neuguitars #blog #ArnoldSchoenberg Label: Col Legno – WWE 12CD 31899 Country: Germany Released: 1996 Cd box 12 […]
Arnold Schoenberg, Serenade op. 24, Hans Rosbaud and the Donaueschinger Musiktage Festival in 1924 and 1958 on #neuguitars #blog #ArnoldSchoenberg
Arnold Schoenberg, Serenade op. 24, Hans Rosbaud and the Donaueschinger Musiktage Festival in 1924 and 1958 on #neuguitars #blog #ArnoldSchoenberg Label: Col Legno – WWE 12CD 31899 Country: Germany Released: 1996 Cd box 12 cd Tracklist […]
Schoenberg, Maderna and John Williams: Serenade op. 24 on #neuguitars #blog #ArnoldSchoenberg
Few people know that John Williams, a beloved classical guitarist, also had an excellent relationship with contemporary music. He was one of the most committed guitarists in the recording of Arnold Schoenberg’s Serenade Op.24. The […]
Sechs kleine klavierstücke, op. 19 by arnold schönberg (arranged for electric guitar by Jo Jena), Bandcamp, 2021 on #neuguitars #blog #ArnoldSchoenberg #JoJena
Dear friends Covid-19 is dangerously impacting the social-economic category of musicians. No concerts, poor political and social consideration, uncertain earnings. As a consequence, an ever-growing number of musicians, especially those from the experimental area, are […]
Arnold Schönberg – Dimitri Mitropoulos – Serenade Opus 24, Esoteric ES-501, 1949 #vinyl #records on #neuguitars #blog #ArnoldSchoenberg
Arnold Schönberg – Dimitri Mitropoulos – Serenade Opus 24, Esoteric ES-501, 1949 Label: Esoteric1 – ES-501 Country: USA Released: 1949 Tracklist Serenade Op. 24 (1923) For Septet And Baritone Voice A1 March A2 […]
Arnold Schoenberg, Serenade Op. 24, conducted by Dimitri Mitroupoulos on #neuguitars #blog #ArnoldSchoenberg
Exhausting the limits of tonal development in the music composed in the early part of his career, Arnold Schoenberg’s attention was more and dore drawn to the possibilities of melodic and harmonic ideas without tonal […]
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