Recensione di Doors of Perception di Raoul Bjorkenheim – eCsTaSy, Cuneiform Records, 2017 https://cuneiformrecords.bandcamp.com/album/doors-of-perception Posso dirlo, da appassionato di dischi di vinile? Che copertina fantastica! Questo disco ha una di quelle copertine vecchio stile, di quelle che sarebbe davvero bello vedere in un’edizione a 33 giri, un vero gioco dada di foto, un collage quasi…
Category: Cuneiform Records
#Review of Doors of Perception by Raoul Bjorkenheim – eCsTaSy, Cuneiform Records, 2017 on #neuguitars #blog
Review of Doors of Perception by Raoul Bjorkenheim – eCsTaSy, Cuneiform Records, 2017 https://cuneiformrecords.bandcamp.com/album/doors-of-perception Being a vynil records collector, what can i say? What a great cover! This record has one of those old-fashioned covers of still would be really nice to see in a 12 “ edition, a real dada photo shoot, a collage…
#Recensione di Tilt di The Great Harry Hillman, Cuneiform Records, 2017 su #neuguitars #blog
Recensione di Tilt di The Great Harry Hillman, Cuneiform Records, 2017 Dopo il post-rock è forse arrivato il tempo del post-jazz? Questo disco del quartetto svizzero The Great Harry Hillman me lo fa pensare. La loro musica è un incrocio, davvero allettante, che ricorda tanto gli esordi dei Tortoise quanto le visioni del jazz atmosferico…
#video The Great Harry Hillman – The New Fragrance (Official Audio) on #neuguitars #blog
The Great Harry Hillman’s “The New Fragrance” from their album ‘Tilt’ (Cuneiform Records)
#Review of Tilt by The Great Harry Hillman, Cuneiform Records, 2017 on #neuguitars #blog
Review of Tilt by The Great Harry Hillman, Cuneiform Records, 2017 Is it time for post-jazz, after post-rock? This record of the Swiss quartet The Great Harry Hillman makes me think about this. Their music is a really intriguing jumble that resembles both the Tortoise debut as well as the visions of 70’s and 80’s…
#Recensione di Edit Peptide di Bubblemath, Cuneiform Records, 2017 su #neuguitars #blog
Recensione di Edit Peptide di Bubblemath, Cuneiform Records, 2017 Qual’è il problema che si incontra ascoltando musiche che vengono facilmente identificate in generi musicali popular specifici? Che generi molto specifici in termini di struttura musicale sono spesso alieni a cambiamenti, mantenendo un atteggiamento conservativo che alla lunga impedisce non solo ogni sperimentazione ma anche ogni…
#video Bubblemath – The Sensual Con (Official Audio) on #neuguitars #blog
Bubblemath’s “The Sensual Con” from their album ‘Edit Peptide’ (Cuneiform Records) Easily purchase your own copy of ‘Edit Peptide’ now at… iTunes: https://itunes.apple.com/us/album/edi… Amazon: http://a.co/hnSYfZT Bandcamp: https://cuneiformrecords.bandcamp.com… Wayside Music: http://www.waysidemusic.com/Music-Pro…
#Review of Edit Peptide by Bubblemath, Cuneiform Records, 2017 on #neuguitars #blog
Review of Edit Peptide by Bubblemath, Cuneiform Records, 2017 What are the problems that you might encounter by listening to music that is easily identified in popular music genres? I think is the fact that those very specific genres in terms of musical structure are often alien to change, retaining a conservative attitude that in…
Richard Pinhas, il chitarrista-filosofo deleuziano…. su #neuguitars #blog
La filosofia è essenzialmente un’attività riflessiva. Richiede sempre una superficie su cui rimbalzare. In un vuoto culturale noi non esisteremmo. Dj Spooky in Cox, Franck, Hinant, Miller, Murphy, Paci Dalò, Quinz, Szepanski, “Millesuoni. Deleuze, Guattari e la musica elettronica” (Cronopio, 2006) pag.152 https://www.richard-pinhas.com/ Ho conosciuto Richard Pinhas in modo indiretto. Anni fa stavo approfondendo, per…
Richard Pinhas, the Deleuze’s guitarist-philosopher ….on #neuguitars #blog
“Philosophy is essentially a reflective activity. It always requires a surface to bounce on. In a cultural void we would not exist.” DJ Spooky in Cox, Franck, Hinant, Miller, Murphy, Paci Dalò, Quinz, Szepanski, “Millesuoni, Deleuze, Guattari and Electronic Music” (Cronopio, 2006) p.152 https://www.richard-pinhas.com/ I knew Richard Pinhas indirectly. Years ago, I was deepening for…
Thumbscrew, (Mary Halvorson, Michael Formanek, Tomas Fujiwara), il trio schiacciapollici del jazz contemporaneo: Thumbscrew e Convallaria su #neuguitars #blog
“what is remaining decided to float in air hanging there” Mary Halvorson in John Zorn, “Arcana VI musicians on music”, pag. 107 http://www.thumbscrew.net/ http://www.MichaelFormanek.com http://www.TomasFujiwara.com http://www.MaryHalvorson.com La recente uscita per la Cuneiform Records del nuovo cd del trio Thumbscrew mi ha spinto a scrivere queste note, collegando la loro ultima fatica a un altro loro…
Thumbscrew, (Mary Halvorson, Michael Formanek, Tomas Fujiwara), a new idea for a trio in the contemporary jazz’s world: Thumbscrew e Convallaria on #neuguitars #blog
“what is remaining decided to float in air hanging there” Mary Halvorson in John Zorn, “Arcana VI musicians on music”, pag. 107 http://www.thumbscrew.net/ http://www.MichaelFormanek.com http://www.TomasFujiwara.com http://www.MaryHalvorson.com The recent Cuneiform Records’ release for the Thumbscrew trio’s new CD has prompted me to write these notes, linking their last effort to their homonymous cd, released for Cuneiform…
