Academy 2016: Performance (Lucia D’Errico & Juan Parra C) Performance of “Shadows from the Empty Centre” and John Cage’s “Aria/Fontana Mix”, during the 2016 Orpheus International Academy. Lucia D’Errico, guitars and electronics, Juan Parra Cancino, computers. Performed at the Orpheus Institute, Ghent, Belgium, on April 6, 2016.
Category: John Cage
#video Clint Lutes and Maurizio Grandinetti: A Caged Community – Dance, Music actions around John Cage on #neuguitars #blog
Clint Lutes and Maurizio Grandinetti: A Caged Community – Dance, Music actions around John Cage Danced and Musical Actions around John Cage by Clint Lutes (dance) and Maurizio Grandindetti (guitars) coreography by Clint Lutes music by John Cage, Maurizio Grandinetti
#video John Cage – 4.33 (Giacomo Baldelli – OOOPStudio) #NIDRA on #neuguitars #blog
John Cage – 4.33 (Giacomo Baldelli – OOOPStudio) #NIDRA
Music by changes … does music play dice?
“As contemporary music goes on changing in the way I am changing it what will be done is to more and more completely liberate sounds… I am talking and contemporary music is changing.” John Cage From John Cage’s I Ching compositions and Karlheinz Stockhausen’s 60s aleatoric experiments to John Zorn’s game pieces and Brian Eno’s…
#video John Cage’s One7 (1992) by Cristian Alvear, #guitarra #fullconcert on #neuguitars #blog
John Cage’s One7 (1992) · Cristian Alvear, guitarra One7/Four6 For any way of producing sounds. Can be performed as a solo (first player’s part) with One (EP 67208). Length: 30 minutes Begun in 1990, returned to and completed in 1992. Premiered in New York, July 23, 1992. This work was later used as music for…
#video John Cage for #guitar on #neuguitars #blog
Dream This work was originally used as music for the eponymous choreographed piece by Merce Cunningham, following the rhythmic structure of the dance and using a fixed gamut of tones. Throughout, resonances are sustained, either manually or with the use of pedal. The music is essentially a single melodic line, except for the last few…
