Recensione di Dither plays Zorn, John Zorn’s Olympiad Vol.1, Tzadik, 2015 “I never specifically told anyone anything. I set up rules where they could tell each other when to play. It’s a pretty democratic process. I really don’t have any control over how long the piece is, or what happens in it.” John Zorn in…
Category: Tzadik
#Review of Dither plays Zorn, John Zorn’s Olympiad Vol. 1, Tzadik, 2015 on #neuguitars #blog
Review of Dither plays Zorn, John Zorn’s Olympiad Vol. 1, Tzadik, 2015 “I never told anyone anything. I set up rules where they could tell each other when to play. It’s a pretty democratic process. I really do not have any control over how long the piece is, or what happens in it. “ John…
#Review of Standards by Derek Bailey, Tzadik, 2007 on #neuguitars #blog
How many things do happen on Christmas time? We are in 2001, in New York, Derek Bailey and his wife are in the big apple, the British guitarist has come here specifically to buy a new archtop guitar, what better than to call John Zorn and Ikue Mori for a traditional Christmas dinner? You know…
#Review of We Aliens by Unnatural Ways, Tzadik, 2016 on #neuguitars #blog
Review of We Aliens by Unnatural Ways, Tzadik, 2016 There is a band of aliens that stirs Tzadik’s headquarters in New York. Or maybe it’s just a New York’s band in its natural element. The obi accompanying each disc produced by the independent record label of John Zorn uses the words “A lynchpin of the…
#Recensione di We Aliens di Unnatural Ways, Tzadik, 2016 su #neuguitars #blog
Recensione di We Aliens di Unnatural Ways, Tzadik, 2016 C’è una band di alieni che si agita nel quartier generale della Tzadik a New York. O forse è solo una band newyorkese nel suo elemento naturale. La obi che accompagna ogni disco prodotto dalla casa discografica indipendente di John Zorn recita testualmente “A lynchpin of…
John Fahey’s and Henry Kaiser’s Requias
The requiem or Requia, according to the liturgical rite of the Catholic Church is a Mass performed and celebrated in memory of the deceased. It can also be used as a funeral service, in particular in the case of solemn funerals, there is also the use to run it as part of the liturgy in…
The Gnostic Preludes di John Zorn, Tzadik 2012
Recensione di The Gnostic Preludes di John Zorn, Tzadik 2012 E fu così che ci ritrovammo davanti a un altro cd di John Zorn. Grande notizia? Mah non saprei. Zorn ha ormai raggiunto una velocità di produzione tale che stargli dietro è impossibile, la sua rapidità di composizione, registrazione, masterizzazione, design e…
The Gnostic Preludes by John Zorn, Tzadik 2012
Review of The Gnostic Preludes by John Zorn, Tzadik 2012 So .. we are here again in front of another cd by John Zorn. Great news? I don’t know. Zorn has become so quick about composing, recording, mastering, design and production that is simply impossible to follow his speed of light. By now he is…
James Moore plays The Book of Heads, 2015 Tzadik
Recensione di James Moore plays The Book of Heads, 2015 Tzadik James Moore è un chitarrista e un multi-strumentista dalla notevole versatilità, uno dei membri fondatori del quartetto di chitarre elettriche Dither, e un interprete a livello internazionale sia come solista che membro di diversi altri ensemble. Nativo della Bay Area, Moore ha studiato chitarra…
James Moore plays The Book of Heads, 2015 Tzadik
Review of James Moore plays The Book of Heads, 2015 Tzadik James Moore is a versatile guitarist and multi-instrumentalist, a founding member of the electric guitar quartet Dither, and performs internationally as a soloist and ensemble player. A native of the Bay Area, James Moore studied classical guitar at UC Santa Cruz and the Yale School…
Review of Marc Ribot, John Zorn The Book of Heads, 1995 Tzadik
Marc Ribot, John Zorn The Book of Heads, 1995 Tzadik An absolutely paradoxical record, a unique and complex open opera, as is its composer, John Zorn, saxophonist, composer, sound’s investigator, soundtracks’ author for essay films, real outsider, Japan lover, hard core fan, Godard’s movies and the cultural trash magus, a typical product of New York…
Recensione di Marc Ribot, John Zorn The Book of Heads, 1995, Tzadik
Marc Ribot, John Zorn The Book of Heads, 1995, Tzadik Un disco assolutamente paradossale, unico e complesso, così come la di fuori del comune è John Zorn, sassofonista, compositore, sperimentatore, autore di colonne sonore per film d’essay, rigorosamente al di fuori di ogni canone e/o circuito, amante del Giappone, dell’hard core, dei film di Godard…
