Kramer, Bill Frisell, Tzadik, The Brill Building and the beauty of pop http://www.tzadik.com/index.php?catalog=4020 What the Brill Building is? It’s a building, a place, a slice of Manhattan’s surface, its physical and musical surface. Built in 1931 the Brill Building is located at 1619 Broadway on 49th Street in the borough of Manhattan in New York,…
Category: Tzadik
Kramer, Bill Frisell, la Tzadik, The Brill Building e la bellezza del pop su #neuguitars #blog
Kramer, Bill Frisell, la Tzadik, The Brill Building e la bellezza del pop http://www.tzadik.com/index.php?catalog=4020 Cos’è il Brill Building? E’ un edificio, un palazzo, una fetta della superficie di Manhattan, della sua superficie fisica e musicale. Costruito nel 1931 il Brill Building è un edificio situato al numero 1619 Broadway sulla 49th Street nel quartiere di…
Tzadik Records for #guitars on #neuguitars #blog
https://www.tzadik.com/ Tzadik Records is a record label in New York City that specializes in avant-garde and experimental music. The label was established by composer and saxophonist John Zorn in 1995. He is the executive producer of all Tzadik releases. Tzadik is a not-for-profit, cooperative record label. Tzadik has released over 400 albums by a variety of…
#Recensione di Midsummer Moods di John Zorn (Gyan Riley, Julian Lage) Tzadik, 2017 su #neuguitars #blog
Recensione di Midsummer Moods di John Zorn (Gyan Riley, Julian Lage) Tzadik, 2017 http://gyanriley.com/ http://www.julianlage.com/home http://www.tzadik.com/index.php?catalog=8078 C’è qualcosa di semplicemente meraviglioso nella musica “pastorale” di John Zorn. Qualcosa di intimo, speciale, ammaliante, commovente e emotivo. In una parola: bello. La cosa non è nuova. Zorn ci aveva già mostrato questo suo lato musicale con i…
#Review of John Zorn’s Midsummer Moods (Gyan Riley, Julian Lage) Tzadik, 2017 on #neuguitars #blog
Review of John Zorn’s Midsummer Moods (Gyan Riley, Julian Lage) Tzadik, 2017 http://gyanriley.com/ http://www.julianlage.com/home http://www.tzadik.com/index.php?catalog=8078 There is something simply wonderful in the “pastoral” music of John Zorn. Something intimate, special, enchanting, touching and emotional. In a word: beautiful. This is not new. Zorn had already shown this musical side with his 2012 Gnostic Preludes, composing…
#Recensione di Stream of Gratitude di Gyan Riley, Tzadik, 2011 su #neuguitars #blog
Recensione di Stream of Gratitude di Gyan Riley, Tzadik, 2011 http://gyanriley.com/ http://www.tzadik.com/index.php?catalog=8078 E’ un vero vento di gratitudine quello che attraversa questo cd, con le sue musiche ispirate e dedicate a giganti della musica e della chitarra. Gyan Riley, chitarrista, compositore e sperimentatore californiano presenta con questo cd prove evidenti di una acquisita maturità artistica…
#Review of Stream of Gratitude by Gyan Riley, Tzadik, 2011 on #neuguitars #blog
Review of Stream of Gratitude by Gyan Riley, Tzadik, 2011 http://gyanriley.com/ http://www.tzadik.com/index.php?catalog=8078 It’s a real wind of gratitude that crosses this cd, with Gyan Riley inspired music, dedicated to giants of music and guitar. Gyan Riley, California guitarist, composer and experimentator, presents with this CD evident evidence of acquired artistic maturity both as a composer…
#Recensione di Dither plays Zorn, John Zorn’s Olympiad Vol.1, Tzadik, 2015 su #neuguitars #blog
Recensione di Dither plays Zorn, John Zorn’s Olympiad Vol.1, Tzadik, 2015 “I never specifically told anyone anything. I set up rules where they could tell each other when to play. It’s a pretty democratic process. I really don’t have any control over how long the piece is, or what happens in it.” John Zorn in…
#Review of Dither plays Zorn, John Zorn’s Olympiad Vol. 1, Tzadik, 2015 on #neuguitars #blog
Review of Dither plays Zorn, John Zorn’s Olympiad Vol. 1, Tzadik, 2015 “I never told anyone anything. I set up rules where they could tell each other when to play. It’s a pretty democratic process. I really do not have any control over how long the piece is, or what happens in it. “ John…
#Review of Standards by Derek Bailey, Tzadik, 2007 on #neuguitars #blog
How many things do happen on Christmas time? We are in 2001, in New York, Derek Bailey and his wife are in the big apple, the British guitarist has come here specifically to buy a new archtop guitar, what better than to call John Zorn and Ikue Mori for a traditional Christmas dinner? You know…
#Review of We Aliens by Unnatural Ways, Tzadik, 2016 on #neuguitars #blog
Review of We Aliens by Unnatural Ways, Tzadik, 2016 There is a band of aliens that stirs Tzadik’s headquarters in New York. Or maybe it’s just a New York’s band in its natural element. The obi accompanying each disc produced by the independent record label of John Zorn uses the words “A lynchpin of the…
#Recensione di We Aliens di Unnatural Ways, Tzadik, 2016 su #neuguitars #blog
Recensione di We Aliens di Unnatural Ways, Tzadik, 2016 C’è una band di alieni che si agita nel quartier generale della Tzadik a New York. O forse è solo una band newyorkese nel suo elemento naturale. La obi che accompagna ogni disco prodotto dalla casa discografica indipendente di John Zorn recita testualmente “A lynchpin of…
John Fahey’s and Henry Kaiser’s Requias
The requiem or Requia, according to the liturgical rite of the Catholic Church is a Mass performed and celebrated in memory of the deceased. It can also be used as a funeral service, in particular in the case of solemn funerals, there is also the use to run it as part of the liturgy in…
The Gnostic Preludes di John Zorn, Tzadik 2012
Recensione di The Gnostic Preludes di John Zorn, Tzadik 2012 E fu così che ci ritrovammo davanti a un altro cd di John Zorn. Grande notizia? Mah non saprei. Zorn ha ormai raggiunto una velocità di produzione tale che stargli dietro è impossibile, la sua rapidità di composizione, registrazione, masterizzazione, design e…
#Review of The Gnostic Preludes by John Zorn, Tzadik 2012 on #neuguitars #blog
Review of The Gnostic Preludes by John Zorn, Tzadik 2012 So .. we are here again in front of another cd by John Zorn. Great news? I don’t know. Zorn has become so quick about composing, recording, mastering, design and production that is simply impossible to follow his speed of light. By now he is…
#Recensione di James Moore plays The Book of Heads, 2015 Tzadik
Recensione di James Moore plays The Book of Heads, 2015 Tzadik James Moore è un chitarrista e un multi-strumentista dalla notevole versatilità, uno dei membri fondatori del quartetto di chitarre elettriche Dither, e un interprete a livello internazionale sia come solista che membro di diversi altri ensemble. Nativo della Bay Area, Moore ha studiato chitarra…
#Review of James Moore plays The Book of Heads, 2015 Tzadik
Review of James Moore plays The Book of Heads, 2015 Tzadik James Moore is a versatile guitarist and multi-instrumentalist, a founding member of the electric guitar quartet Dither, and performs internationally as a soloist and ensemble player. A native of the Bay Area, James Moore studied classical guitar at UC Santa Cruz and the Yale School…
Review of Marc Ribot, John Zorn The Book of Heads, 1995 Tzadik
Marc Ribot, John Zorn The Book of Heads, 1995 Tzadik An absolutely paradoxical record, a unique and complex open opera, as is its composer, John Zorn, saxophonist, composer, sound’s investigator, soundtracks’ author for essay films, real outsider, Japan lover, hard core fan, Godard’s movies and the cultural trash magus, a typical product of New York…
Recensione di Marc Ribot, John Zorn The Book of Heads, 1995, Tzadik
Marc Ribot, John Zorn The Book of Heads, 1995, Tzadik Un disco assolutamente paradossale, unico e complesso, così come la di fuori del comune è John Zorn, sassofonista, compositore, sperimentatore, autore di colonne sonore per film d’essay, rigorosamente al di fuori di ogni canone e/o circuito, amante del Giappone, dell’hard core, dei film di Godard…
#Review of John Somebody by Scott Johnson, Tzadik, 2004 on #neuguitars #blog
Should be blessed the used cds’ shops, Ebay and those who sell their discoteques because thanks to them every fan has the opportunity to integrate and recover cds which he has maybe only heard about and whose circulation is very minimal. This is the case of this beautiful “John Somebody” reprinted in 2004 by the…
