“Until It Blazes” post-minimalismo e riverberi ambient nelle chitarre di Eve Beglarian su #neuguitars #blog Photo Credit: JW Photography eve beglarian: evbvd music “I like John Cage’s definition of experimental music: music about which the […]
Category: Writings
“Until It Blazes” post-minimalism and ambient reverbs in Eve Beglarian’s guitars on #neuguitars #blog
“Until It Blazes” post-minimalism and ambient reverbs in Eve Beglarian’s guitars on #neuguitars #blog Photo Credit: JW Photography eve beglarian: evbvd music “I like John Cage’s definition of experimental music: music about which the outcome […]
“Inanimate Nature” e “Action Direct”, noise e table guitars da Takayanagi Masayuki su #neuguitars #blog
“Inanimate Nature” e “Action Direct”, noise e table guitars da Takayanagi Masayuki su #neuguitars #blog Quando si parla di chitarristi free jazz, vengono inevitabilmente in mente musicisti come Sonny Sharrock e James Blood Ulmer. Tuttavia, […]
“Inanimate Nature” and “Action Direct”, noise and table guitars by Takayanagi Masayuki on #neuguitars #blog
“Inanimate Nature” and “Action Direct”, noise and table guitars by Takayanagi Masayuki on #neuguitars #blog When we talk about free jazz guitarists, musicians like Sonny Sharrock and James Blood Ulmer inevitably come to mind. However, […]
Emotività e riflessione nella musica di Jeff Platz su #neuguitars #blog
Emotività e riflessione nella musica di Jeff Platz su #neuguitars #blog Foto di Rob Miller. Jeff Platz – Jeff Platz Music | Jeff Platz (bandcamp.com) “Some art aims directly at arousing the feelings; some art […]
Emotion and reflection in Jeff Platz’s music on #neuguitars #blog
Emotion and reflection in Jeff Platz’s music on #neuguitars #blog Photo by Rob Miller. Jeff Platz – Jeff Platz Music | Jeff Platz (bandcamp.com) “Some art aims directly at arousing the feelings; some art appeals […]
Suoni, incontri e esplorazioni con Fred Frith, The Fred Records Story Vol 1 -2 – 3 su #neuguitars #blog
Suoni, incontri e esplorazioni con Fred Frith, The Fred Records Story Vol 1 -2 – 3 su #neuguitars #blog ReR Megacorp FRITH, FRED: The Fred Records Story. Twenty-eight CDs, in three boxes, with three fat […]
Sounds, encounters and explorations with Fred Frith, The Fred Records Story Vol 1 -2 – 3 on #neuguitars #blog
ReR Megacorp FRITH, FRED: The Fred Records Story. Twenty-eight CDs, in three boxes, with three fat booklets and f “Improvised structures – the perception that they mostly consist of “boring” bits that lead to “exciting” […]
La chitarra non idiomatica di Luca Perciballi su #neuguitars #blog
La chitarra non idiomatica di Luca Perciballi su #neuguitars #blog Luca Perciballi – Guitarist- Composer- Sound artist Music | Luca Perciballi (bandcamp.com) Un archivio non è tale se non manifesta un ordine e una certa […]
Luca Perciballi’s non-idiomatic guitar on #neuguitars #blog
Luca Perciballi’s non-idiomatic guitar on #neuguitars #blog Luca Perciballi – Guitarist- Composer- Sound artist Music | Luca Perciballi (bandcamp.com) An archive is not such if it does not manifest an order and a certain discipline. […]
Perché un critico come Greil Marcus si occupa di “Guitar Drag” di Christian Marclay? #neuguitars #blog
Perché un critico come Greil Marcus si occupa di “Guitar Drag” di Christian Marclay? #neuguitars #blog UbuWeb Film & Video: Christian Marclay – Record Players (1984) Christian Marclay – Guitar Drag (2006, Clear, Vinyl) – […]
Why does a critic like Greil Marcus write about Christian Marclay’s “Guitar Drag”? on #neuguitars #blog
Why does a critic like Greil Marcus write about Christian Marclay’s “Guitar Drag”? on #neuguitars #blog UbuWeb Film & Video: Christian Marclay – Record Players (1984) Christian Marclay – Guitar Drag (2006, Clear, Vinyl) – […]
Free Form Suite, gli orizzonti si allargano per il free jazz giapponese su #neuguitars #blog
Free Form Suite, gli orizzonti si allargano per il free jazz giapponese su #neuguitars #blog La discografia di Takayanagi è un corpus ermeticus in cui è difficile addentrarsi. La non conoscenza della lingua giapponese non […]
Free Form Suite, horizons widen on japanese free jazz on #neuguitars #blog
Free Form Suite, horizons widen on #neuguitars #blog Takayanagi’s discography is a corpus ermeticus in which it’s difficult to enter. My lack of knowledge of the Japanese language certainly does not help and the reissues […]
La prima formazione di Masayuky Takayanagi New Directions su #neuguitars #blog
“Independence: Tread On Sure Ground“ venne registrato dalla prima formazione dei New Directions (Takayanagi avrebbe riutilizzato questo nome, in diverse varianti, per diversi gruppi nel corso della sua carriera), al Teichiku Kaikan Studio il 18 […]
Masayuky Takayanagi New Directions’ first lineup on #neuguitars #blog
“Independence: Tread On Sure Ground” was recorded by the first line-up of New Directions (Takayanagi would have reused this name, in different variations, for different bands throughout his career), at Teichiku Kaikan Studio on September […]
“We now create” e “Indipendence tread on sure ground” due capisaldi del free jazz giapponese su #neuguitars #blog
“We now create” e “Indipendence tread on sure ground” due capisaldi del free jazz giapponese su #neuguitars #blog Il 1969 è un anno caldo per il Giappone. Il paese, come un po’ tutto il resto […]
“We now create” and “Independence tread on sure ground” two cornerstones of Japanese free jazz on #neuguitars #blog
1969 was a hot year for Japan. The country, like the rest of the world. seethed with unsatisfied energies, violent conflicts, cultural, social and political frictions. The world of Jazz was no exception and these […]
1974 – 2021: 47 anni dopo Fred Frith Guitar Solos su #neuguitars #blog
1974 – 2021: 47 anni dopo Fred Frith Guitar Solos su #neuguitars #blog AAJ: In common with a great many musicians it’s apparent that you haven’t just arrived at a musical reference point and stuck […]
1974 – 2021: 47 years after Fred Frith’s Guitar Solos on #neuguitars #blog
1974 – 2021: 47 years after Fred Frith’s Guitar Solos on #neuguitars #blog AAJ: In common with a great many musicians it’s apparent that you haven’t just arrived at a musical reference point and stuck […]
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