Performing “Teyatá” by Stephen Wingfield live at Northern Lights Festival, Vilnius Philharmonic Hall.
#Recensione di Pinpoints di Gantriis-Zimmerman Guitar Duo, Albany Records, 2017 su #neuguitars #blog
Recensione di Pinpoints di Gantriis-Zimmerman Guitar Duo, Albany Records, 2017 http://www.albanyrecords.com/ http://volkmarzimmermann.com/enter/ Kristian Gantriis e Volkmar Zimmermann sono membri del prestigioso quartetto di chitarre danese Corona Guitar Kvartet, acclamato a livello internazionale da molti anni. Dopo diversi anni trascorsi a suonare assieme, questi due chitarristi classici hanno deciso di collaborare insieme creando un duo e…
#video JOHN FRANDSEN: “Nocturnal Procession” (2001) played by Gantriis-Zimmermann Guitar Duo on #neuguitars #blog
Gantriis-Zimmermann Guitar Duo: Kristian Gantriis, Volkmar Zimmermann guitarists. from Albany TROY1688 http://www.albanyrecords.com Volkmar Zimmermann and Kristian Gantriis are both members of the internationally acclaimed Corona Guitar Kvartet and now they have joined forces as an independent ensemble, the Gantriis-Zimmermann Guitar Duo and this recording is the result of their collaboration. The Duo has assembled an…
#Review of Pinpoints by Gantriis-Zimmerman Guitar Duo, Albany Records, 2017 su #neuguitars #blog
Review of Pinpoints by Gantriis-Zimmerman Guitar Duo, Albany Records, 2017 http://www.albanyrecords.com/ http://volkmarzimmermann.com/enter/ Kristian Gantriis and Volkmar Zimmermann are members of the excellent and the internationally acclaimed Corona Guitar Kvartet (Copenhagen, Denmark) from many years, in this record these two classical guitar players have decide to collaborate togheter creating a duo. This record, Pinpoints, is the…
#Intervista con Pino Forastiere (Maggio 2018) su #neuguitars #blog
Intervista con Pino Forastiere (Maggio 2018) http://www.pinoforastiere.com/ Ciao Pino, era da un po’ che eri assente … ora sei tornato con questo Village Life, raccontaci un po’ di questo nuovo disco e come è nato…. La narrazione del disco descrive i ritmi della mia nuova vita in un villaggio. Dopo quasi tutta la vita vissuta…
#Review of Deconstruction by Pino Forastiere, self-released in 2015 on #neuguitars #blog
Review of Deconstruction by Pino Forastiere, self-released in 2015 http://www.pinoforastiere.com/deconstructionalbum/ This cd, I would call almost an EP for its limited duration, made by the excellent Italian acoustic guitarist Pino Forastiere has a curious title. Now, if the famous aphorism “talking about music is like dancing about architecture” makes a direct connection with the art of…
“Spotlight: Ádám Mészáros” on Guitar Moderne
http://www.guitarmoderne.com/artists/spotlight-adam-meszaros I suggest you to read this interesting post about hungarian guitar player Ádám Mészáros on web magazine Guitar Moderne. Many thanks to Michael Ross! Read the interview!
#Recensione di Deconstruction di Pino Forastiere, autoprodotto 2015 su #neuguitars #blog
Recensione di Deconstruction di Pino Forastiere, autoprodotto 2015 http://www.pinoforastiere.com/deconstructionalbum/ Curioso il titolo di questo cd, lo definirei quasi un EP per la sua durata contenuta, dell’ottimo Pino Forastiere, eccellente chitarrista italiano da tempo dedito alla chitarra acustica. Ora, se il famoso aforisma “parlare di musica è come ballare di architettura” tira direttamente in ballo l’arte…
“Bern Nix: A History In Harmolodics” on AllAboutJazz!
Excellent article about Bern Nix on AllAboutJazz! https://www.allaboutjazz.com/bern-nix-a-history-in-harmolodics-bern-nix-by-aaj-staff.php?page=1#.Wu5CrhdjSic.facebook
#Review of “From 1 to 8” by Pino Forastiere, Candyrat Records, 2011 on #neuguitars #blog
Review of “From 1 to 8” by Pino Forastiere, Candyrat Records, 2011 Once upon a time .. many years ago thanks to a label called Windhall Hill I met a small group of innovative and interesting guitarists, names like Jan Ackermann, Alex De Grassi and, above all, Michael Hedges. Thanks (or for the guilt) of…
#Recensione di From 1 to 8 di Pino Forastiere, Candyrat Records, 2011, su #neuguitars #blog
Recensione di From 1 to 8 di Pino Forastiere, Candyrat Records, 2011 Anni fa grazie a una casa discografica chiamata Windhall Hill erano venuti alla ribalta un piccolo gruppo di chitarristi particolamente innovativi e interessanti, nomi come Jan Ackermann, Alex De Grassi e, soprattutto, Michael Hedges. Grazie (o per colpa) della loro casa discografica furono…
Ten ECM guitars records on #neuguitars #blog
https://www.ecmrecords.com/home ECM (Edition of Contemporary Music) is an independent record label founded by Manfred Eicher in Munich in 1969. While ECM is best known for jazz music, the label has released a variety of recordings, and ECM’s artists often refuse to acknowledge boundaries between genres. ECM’s motto is “the Most Beautiful Sound Next to Silence”,…
#Intervista con Pino Forastiere (Aprile 2011) su #neuguitars #blog
Intervista con Pino Forastiere (Aprile 2011) http://www.pinoforastiere.com/ 1. La prima domanda è sempre quella classica: come è nato il suo amore e interesse per la chitarra e con quali strumenti suona o ha suonato? Non facevo capricci da bambino ma di una cosa non potevo fare a meno: del suono della chitarra prima di dormire….
#Recensione di Forastiere Live di Pino Forastiere, Candyrat Records, 2008 su #neuguitars #blog
Recensione di Forastiere Live di Pino Forastiere, Candyrat Records, 2008 http://www.pinoforastiere.com/ https://www.candyrat.com/artists/pinoforastiere/livecddvd/ Un consiglio personale, quando aprirete questo disco. Dentro ci troverete un cd e un dvd, per favore ascoltate prima il cd. Sia ben chiaro: le registrazioni audio e video sono perfette e la chitarra acustica di Pino Forastiere “canta” come un usignolo, la…
#video EUGENE CHADBOURNE 10-16-16 Quinn’s-Beacon, NY on #neuguitars #blog
Eugene Chadbourne October 16th, 2016 Quinn’s-Beacon, NY video & audio by Robert O’Haire at straw2gold pictures http://straw2goldpictures.com
Il Pat Metheny che non ti aspetti: il free-jazz su #neuguitars #blog
Il Pat Metheny che non ti aspetti: il free-jazz “Melody still has a place here, which suggests that Metheny’s interest in the Original Coleman legacy may be carrying forward in his own work more intently than it is in the composer’s. Either way, on many of the more raving episodes here, both men sound exulatant…
#video Susan Alcorn & Jim Denley – at HappyLucky No. 1, Brooklyn – March 4 2018 on #neuguitars #blog
Susan Alcorn – pedal steel guitar Jim Denley – alto saxophone, bass flute, objects thanks to Don Mount youtube channel: https://www.youtube.com/channel/UC0MRoIYg2VLoYyT8CzGv6Bw
#Interview to Ronald Wiesauer (May 2018) on #neuguitars #blog
Interview to Ronald Wiesauer (May 2018) http://www.ronnywiesauer.com/Ronny_Wiesauer-_classical_guitar/Home.html When did you start playing the guitar and why? I started playing guitar at an age of 5 years old. My father was a good amateur-guitarist, so music has always been around, though my father never was into classical music. I had the luck to have a very…
