Interview with Giacomo Baldelli (November 2018) http://www.giacomobaldelli.it/ Dear Giacomo, welcome back to Neuguitars. You’ve been very busy with your Nidra multimedia project recently, do you want to talk about it? Thanks for having me back! […]

Interview with Giacomo Baldelli (November 2018) http://www.giacomobaldelli.it/ Dear Giacomo, welcome back to Neuguitars. You’ve been very busy with your Nidra multimedia project recently, do you want to talk about it? Thanks for having me back! […]
Review of Electric Creatures by Giacomo Baldelli, 2018 http://www.giacomobaldelli.it/ https://www.audioglobe.it/artist.php?iId=54828 1- G. Baldelli – And Watch – 2018 Kate Soper – Voce / World Premiere Recording 2- Eve Beglarian – Until it Blazes – 2001 […]
Recensione di Electric Creatures di Giacomo Baldelli, 2018 http://www.giacomobaldelli.it/ https://www.audioglobe.it/artist.php?iId=54828 1- G. Baldelli – And Watch – 2018 Kate Soper – Voce / Prima Registrazione Mondiale 2- Eve Beglarian – Until it Blazes – 2001 […]
Research led performance workshop of the Orpheus Institute at the Cini Foundation in Venice (Italy) in June 2016. Guitarists from all over the world focused on the use of their instrument in the work of […]
Trash TV Trance – Fausto Romitelli – Giacomo Baldelli – OOOPStudio
Interview with Giacomo Baldelli When did you start playing guitar and why? I started to play the guitar when I was 8 years old. My parents sent me to the Conservatory of my city, Istituto […]
Review of Chitarra Italiana XXI Sec. by Giacomo Baldelli, La Bottega Discantica, 2010 “To undertake study but not just on one track, focusing on the accuracy and the philology of the writing is to enter […]
John Cage – 4.33 (Giacomo Baldelli – OOOPStudio) #NIDRA
“Trash TV Trance” – LIVE PERFORMANCE Trash TV Trance Fausto Romitelli – Giacomo Baldelli
Recensione di Chitarra Italiana XXI Sec. di Giacomo Baldelli, La Bottega Discantica, 2010 “Intraprendere lo studio non su un binario solo, focalizzarsi sull’esattezza e la filologia della scrittura è accedere al contenuto compositivo della musica. […]