Arnold Schoenberg, Serenade op. 24, Hans Rosbaud and the Donaueschinger Musiktage Festival in 1924 and 1958 on #neuguitars #blog #ArnoldSchoenberg Label: Col Legno – WWE 12CD 31899 Country: Germany Released: 1996 Cd box 12 cd Tracklist […]
Tag: Writings
Luca Perciballi’s non-idiomatic guitar on #neuguitars #blog
Luca Perciballi’s non-idiomatic guitar on #neuguitars #blog Luca Perciballi – Guitarist- Composer- Sound artist Music | Luca Perciballi (bandcamp.com) An archive is not such if it does not manifest an order and a certain discipline. […]
Perché un critico come Greil Marcus si occupa di “Guitar Drag” di Christian Marclay? #neuguitars #blog
Perché un critico come Greil Marcus si occupa di “Guitar Drag” di Christian Marclay? #neuguitars #blog UbuWeb Film & Video: Christian Marclay – Record Players (1984) Christian Marclay – Guitar Drag (2006, Clear, Vinyl) – […]
Why does a critic like Greil Marcus write about Christian Marclay’s “Guitar Drag”? on #neuguitars #blog
Why does a critic like Greil Marcus write about Christian Marclay’s “Guitar Drag”? on #neuguitars #blog UbuWeb Film & Video: Christian Marclay – Record Players (1984) Christian Marclay – Guitar Drag (2006, Clear, Vinyl) – […]
Free Form Suite, gli orizzonti si allargano per il free jazz giapponese su #neuguitars #blog
Free Form Suite, gli orizzonti si allargano per il free jazz giapponese su #neuguitars #blog La discografia di Takayanagi è un corpus ermeticus in cui è difficile addentrarsi. La non conoscenza della lingua giapponese non […]
Free Form Suite, horizons widen on japanese free jazz on #neuguitars #blog
Free Form Suite, horizons widen on #neuguitars #blog Takayanagi’s discography is a corpus ermeticus in which it’s difficult to enter. My lack of knowledge of the Japanese language certainly does not help and the reissues […]
“We now create” e “Indipendence tread on sure ground” due capisaldi del free jazz giapponese su #neuguitars #blog
“We now create” e “Indipendence tread on sure ground” due capisaldi del free jazz giapponese su #neuguitars #blog Il 1969 è un anno caldo per il Giappone. Il paese, come un po’ tutto il resto […]
“We now create” and “Independence tread on sure ground” two cornerstones of Japanese free jazz on #neuguitars #blog
1969 was a hot year for Japan. The country, like the rest of the world. seethed with unsatisfied energies, violent conflicts, cultural, social and political frictions. The world of Jazz was no exception and these […]
1974 – 2021: 47 anni dopo Fred Frith Guitar Solos su #neuguitars #blog
1974 – 2021: 47 anni dopo Fred Frith Guitar Solos su #neuguitars #blog AAJ: In common with a great many musicians it’s apparent that you haven’t just arrived at a musical reference point and stuck […]
1974 – 2021: 47 years after Fred Frith’s Guitar Solos on #neuguitars #blog
1974 – 2021: 47 years after Fred Frith’s Guitar Solos on #neuguitars #blog AAJ: In common with a great many musicians it’s apparent that you haven’t just arrived at a musical reference point and stuck […]
Needs, techniques, improvisation, guitars, all in the music of Andrea Massaria on #neuguitars #blog
Needs, techniques, improvisation, guitars, all in the music of Andrea Massaria on #neuguitars #blog Andrea Massaria – Home NEW NEEDS NEED NEW TECHNIQUES | Andrea Massaria | andrea massaria (bandcamp.com) CD LR 896 – Leo […]
“Dynamics of Vanishing Bodies”, Brendon Randall-Myers’ hauntology enters the world of contemporary music with Dither’s electric guitars on #neuguitars #blog
I pensieri asimmetrici di Davide Ficco su #neuguitars #blog
I pensieri asimmetrici di Davide Ficco su #neuguitars #blog Fateci caso. Viviamo strani giorni, e non sto facendo riferimento al Covid-19. Se vi guardate attorno noterete una curiosa ansia da ricerca di identità. Tutti, oggi, […]
Davide Ficco’s asymmetrical thoughts on #neuguitars #blog
Davide Ficco’s asymmetrical thoughts on #neuguitars #blog Please pay attention. We live in strange days, and I’m not referring to Covid-19. If you look around you will notice a curious identity-seeking anxiety. Everyone, today, is […]
New Lullaby Project, Vol. 1 and 2, nuove idee per la chitarra classica da Aaron Larget-Caplan su #neuguitars #blog
New Lullaby Project, Vol. 1 and 2, nuove idee per la chitarra classica da Aaron Larget-Caplan su #neuguitars #blog http://www.newlullaby.com “Before we begin: I do not have kids.” Aaron Larget-Caplan http://www.ALCGuitar.com Cosa è più vicino […]
New Lullaby Project, Vol. 1 and 2, new ideas for classical guitar by Aaron Larget-Caplan on #neuguitars #blog
New Lullaby Project, Vol. 1 and 2, new ideas for classical guitar by Aaron Larget-Caplan on #neuguitars #blog http://www.newlullaby.com “Before we begin: I do not have kids.” Aaron Larget-Caplan http://www.ALCGuitar.com What is closer to the […]
“Rime”. Maurizio Grandinetti’s courage and artistic integrity on #neuguitars #blog
http://en.dux.pl/grandinetti-rime-radziejewska-ensemble-cord-ola.html I have more and more the feeling of living in a country that is afraid of the future, complains of the present and idolizes a past that will be nothing but the present of […]
Very Much Alive di Paolo Vinaccia: il lato rock di Terje Rypdal su #neuguitars #blog
Very Much Alive di Paolo Vinaccia: il lato rock di Terje Rypdal su #neuguitars #blog https://jazzlandrec.com/very-much-alive-paolo-vinaccia Che cosa vi aspettate quando comprate un disco di un chitarrista, di un musicista che conoscete bene? Immagino che […]
Very Much Alive by Paolo Vinaccia: Terje Rypdal’s rock side on #neuguitars #blog
Very Much Alive by Paolo Vinaccia: Terje Rypdal’s rock side on #neuguitars #blog https://jazzlandrec.com/very-much-alive-paolo-vinaccia What do you expect when you buy a record by a guitarist, a musician you know well? I guess you are […]
Conceptual guitar, il virtuosismo elettrico di Sergio Sorrentino su #neuguitars #blog
http://www.sergiosorrentinoguitarist.com/ https://sergiosorrentino.bandcamp.com/ La chitarra elettrica, strumento popular per eccellenza, sinonimo di ribellione e energia rock giovanile, ha da tempo iniziato un nuovo percorso evolutivo all’interno della musica contemporanea. Nulla di male, anzi, ben vengano lo […]
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